Fickle skies, keen energy, restive forms

The skies were fickle – clearing one moment and pouring the next but our enthusiasm was steadfast. Encounters happened as planned last 13 June! It was choreographed by Ea Torrado and performed by Daloy Dance Company.

The rain rendered the performance vigour. Ea Torrado likened it to ‘dwelling the womb’ specifically when the dancers entered the grove, alternating between movement and stillness, flitting in and about the goddesses, rendering air and space legible with movement and voices.

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They emerged from the Vargas Museum’s west porch in two files, chanting and marching. Their animal heads were curious, if not amusing counterpoints to their martial like movements. All was pulsing energy pronounced through strength of limbs that sliced rain and air, the rhythm of dancers’ voices lent spark to a fast encroaching night.

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It is this straining against odds and the very elements that was the most remarkable character of the performance. We were drenched but oddly entranced by bodies weaving in and out of the grove, around the goddesses’ inert and viewers’ unsettled yet expectant bodies.  This atmosphere of chance placed in relief the exactitude the piece demanded of dancers. The dimming skies and pouring rain echoed their feral cries and sober silence, their rolling and falling forms contrasted strongly with austere marches and lively gestures.

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It was an evening of strong and memorable contrasts, the weather and the piece coming together fully, eliciting from us a similar straining – because how else can life be without constraints? It is only in the latter where we come together through the wholeness promised by the goddesses Pleiades, however fleetingly.

Encounters was a singular offering to this moment.

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Photos Eric Guazon

 

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Encounters with Pleiades

Viewer interaction makes public art projects.

The LAWAS curatorial team has organised a series of events around the works Pleiades, Pagpamulak and Pusod.

The first collateral event happens on June 13, Wednesday 6PM at the Vargas Museum Grounds and CAL LawnEncounters is a piece by contemporary choreographer Ea Torrado.

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Daloy Dance Company, photo Sipat Productions

It developed around Agnes Arellano’s suite of goddess sculptures Dakini, Innana, Kali and Magdalene. The goddesses appear descended in a grove at the Diliman campus, strong verdigris forms amidst lush green growth.

Encounters explores dualities of human existence and is rooted in Ea Torrado’s exploration of dance as emancipatory ritual. In it, dancers descend into the depths of being with the body as channel for the divine. The encounter is coming together of corporal flesh and greater divinity.

LAWAS Torrado collateral poster 31 May

The dance performance is shaped by active energy and force, listening and rest, presence and song. The intervals are marked by dancers heeding the call of the goddesses and becoming like prophets conveying a holy secret. It reflects on human anxieties and the speed we careen towards greater progress or utter destruction.

Agnes Arellano’s goddesses remind us to be rooted – perhaps, that which we frantically seek is in all of us.

Choreographer Ea Torrado is the recipient of Alvin Erasga Tolentino Koryograpiya Award in 2014, Remedios De Oteyza Choreography Award in 2016 and Asian Cultural Council Grant in 2017. Her creations manifest in choreographies, film, installation, site-specific work, and improvisational performance. She is the Artistic Director of Daloy Dance Company.

Daloy Dance Company interweaves dance, theatre and improvisation to create daring and evocative contemporary dance. Since its establishment in 2014, Daloy has made waves in the Manila art scene with critically acclaimed and exceptionally varied body of work. With its strong collaborative thrust, the company has worked with notable visual artists in various museums and galleries in the Philippines, and has enjoyed diverse audiences and performed in a range of dance and art festivals locally and abroad in Japan, Thailand, Korea and USA.